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History and contextLiterary context and distinctionsPrimary referencesRelated encyclopedia entriesExplore furtherHistory and context
The Three are made by Celebrimbor without Sauron directly touching them, although their making takes place within the wider history of ring-lore and their power remains subject to the One. Narya comes to Círdan, who recognises Gandalf’s role and entrusts the Ring to him. Its power is not introduced in the narrative as a spectacle of unlimited fire magic. The explanation given near the end of The Lord of the Rings emphasises its aid against weariness and the failing of courage. This suits Gandalf’s repeated work of kindling resistance in other people rather than replacing their agency.
Literary context and distinctions
Narya’s presence is important when discussing Gandalf’s refusal of the One Ring. His refusal does not imply that all rings or every exercise of supernatural power are morally identical. The Three serve preservation and healing rather than Sauron’s intended domination, but they are not independent of the fate of the One. Their bearers know that its destruction will bring the ending of their own works of preservation. Narya should also be distinguished from speculative claims that every flame Gandalf produces can be assigned directly to the Ring. The books do not provide a complete technical catalogue of its effects.
Primary references
- The Silmarillion, “Of the Rings of Power and the Third Age”.
- The Return of the King, “The Grey Havens”.
- Unfinished Tales, Part Four, “The Istari”.